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• Aktuelle Architektur der Kultur | Centro Negra, Spain

  • Deepened research on using theatre and cultural somatics to disrupt intergenerational trauma by using Overlie’s Bogart’s and Landau’s VIEWPOINTS to investigate racialized identity development.

    • Completed 50,000 word manuscript Untitled

    • Created en el dentro a trilingual (English, Jamaican Patwa, and Spanish) piece that explore the memories we pass down between generations

    • Created a movement piece with bailarinas from Chile that explored non linear storytelling, matriarchs, and movement.

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• AIR SERENBE | Serenbe, GA

  • Wrote Grief: A 2019 Wail where I then hired earthseed’s youth ensemble community members and their families came to watch over

 

• CENTRUM | Fort Worden, WA

  • Metalsmith residency | Worked on basics of soldering and joining metals with both hot and cold connections.

  • Also explored beading, working with textiles, and painting with watercolor.

 

 

Selected Performing Credits: 

Siobhan in Village Theatre’s *CURIOUS INCIDENT OF A DOG IN THE NIGHT-TIME, Dido in ArtsWest's, AN OCTOROON,

Clarice in Seattle Public Theatre's THE LIAR,

Jenny in Seattle Repertory Theatre's staged reading of DRY POWDER.

 

Selected Playwrighting Credits:

THE EFFLUENT ENGINE adapted for audioplay from NK Jemisin’s short story

MISS, yankee pickney, A Prisoner, and

 

Selected Directing Credits:

The Book Club Play by Karen Zacarias at Village Theatre, h*llo k*tty Syndrome by brian dang, yankee pickney (Director/playwright), Seattle Repertory Theatre's Public Works production of THE ODYSSEY (Associate Director), One Act at a Time's production of  Keiko Green's THOSE LEFT BEHIND (Director) **ALEX AND ALIX (World Premiere) postponed due to Covid-19

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In 2017 Jéhan was awarded GAP funding from the Artist Trust in order prepare Yankee Pickney for it's 2020 tour (which didn’t happen do to Covid-19) Jéhan was awarded the 2018 National Endowment for the Arts Creativity Connects Artist Fellowship for Seattle

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